From November 2-8, 2017, Canada welcomes the world as Vancouver hosts the ISCM World New Music Days 2017. Since its founding in 1922, the International Society for Contemporary Music has been the world’s premier network for new music. Each year, its festival is hosted in a different city around the globe. Next month, the Canadian League of Composers and Music on Main welcome nearly 50 countries for a festival of new music and a celebration of new ideas, new collaborations, and new fusions in an astonishing 35+ concerts and events over seven days featuring more than 135 works by 130 composers.
The festival is produced in collaboration with more than twenty concert partners, representing many of the leading performing organizations from BC and across the country. Each partner will present a unique program of works by Canadian and international composers.
We asked composer Jocelyn Morlock if she would suggest five must-see performances in the marathon week of performances. Following are her recommendations:
Jocelyn Morlock’s 9 in the time of 5
When Sean Bickerton asked me to give my Top Five list for the ISCM World New Music Days 2017, I knew I was in trouble – first off, I can’t pick only five concerts, and worse, I am, in one way or another, involved with four of the events (I’ll explain momentarily…)
Fortunately, in 21st century music, complexity is perfectly acceptable and I was able to barter a deal using the power of tuplets. And thus, what follows is a list of nine stellar concerts – four in which I declare bias, five where I don’t. (I get most of the bias over near the beginning, so bear with me.)
1. Tuesday November 2, 7:30 pm – Opening Concert: Life Reflected
NACO opens ISCM WNMD 2017 with its multimedia view into the lives of four brave and influential women. “Life Reflected” combines music, dance, film, photography, graphic design, song, and spoken word to create a synergistic, emotionally powerful event. I have strong personal bias for this one – I’m one of the four composers involved, and very proud to have written music about Amanda Todd with the emotional guidance of her incredible, heroic mother, Carol Todd.
2. Friday November 3, 10:15 pm – Riot and Lori Freedman
Double bill par excellence – Lori Freedman is an incredible, ferocious composer and clarinettist – she can hold her own against bagpipes! Or probably anything else that comes along — the woman is a force of nature. In “Riot”, a John Korsrud and the Hard Rubber Riot Ensemble take an intense, energetic look at the depths people sink to when mob mentality sets in. Once again I must declare bias – the multitalented, genre-smashing JK is my boyfriend. But, full disclosure – the reason I ended up dating him sprung from trying to get to know him better because I loved his music so much. (Be warned.)
3. Sunday November 5, 7:30 pm – Vancouver Symphony Orchestra
Declaring personal bias yet again, due to the presence of my newly revised That Tingling Sensation – but what I really want you to hear is the World Premiere of Mohamed Assani and John Oliver’s co-composed sitar concerto, Pressed for Time. Assani and Oliver experimented together with many ragas and many harmonic transformations over a long period of time, carefully creating a real dialogue between Hindustani classical music and the Western contemporary orchestral tradition.
4. Sunday November 5, 10:15 pm – Question Notions: Music for Composer-Performers
Gabriel Dharmoo is amazing; tonight he presents his one-man show Anthropologies imaginaires – it is incredibly funny, thoughtful, peculiar, and wonderful. Leo Correira de Verdier is new to me, but I’ve heard/read many intriguing things. And “one of the world’s foremost sewing machine players” makes me so very curious. Let’s find out!
5. Monday, November 6, 7:30 pm – Ensemble Contemporain de Montreal (ECM+) and Turning Point Ensemble
Another excellent double bill. I’m particularly looking forward to the world premiere of Ana Sokolovic‘s violin concerto, Evta. Isidora Zebeljan is new to me – I am fascinated by the idea of her piece Needle Soup: A Surrealistic Fairy Tale for Octet (right? So curious!) I like the look of this whole concert – both presenting ensembles are outstanding!
6. Tuesday, November 7, 5:00 pm – Powell Street Festival
I’m very excited about hearing shō virtuoso Ko Ishikawa from Japan, not least in Yasunoshin Morita’s ReincarnatiOn Ring II for Shō, U and iPods (!), as well as local favourites Tiresias Duo and Brian Nesselroad; looking forward to hearing introspective, fascinating composer Justin Christensen’s This is fun for me, even if you don’t think it is, another time.
7. Tuesday November 7, 7:30 pm – PEP (Piano and Erhu Project) & Standing Wave Ensemble
One last declaration of bias, as I work with Standing Wave; but don’t let that dissuade you from checking this one out. PEP and Standing Wave are remarkably innovative, virtuosic local ensembles; stand-outs for me include a second hearing of James O’Callaghan’s gloriously quirky subject/object, the World Premiere of Jordan Nobles’ delicate, ethereal Echo Chamber, and Terri Hron’s Parting. (And yeah, that’s 100% CanCon.)
8. Wednesday, November 8, 12:00 pm – Aventa Ensemble
I’m delighted to see Victoria’s Aventa Ensemble making a rare appearance in Vancouver! This is a world-class ensemble, and we don’t hear them often enough in deepest Vancouver. Having heard Miranda Wong give a fierce rendition of Stefan Prins’ Piano Hero at Music on Main, I’m deeply curious about his Hände ohne Orte for ensemble; and Giorgio Magnanensi’s music is always a highlight.
9. Wednesday November 8, 7:30 pm – Closing Concert: A Kind of Magic
There’ so much great stuff here it’s hard to know where to begin, so I’ll just say that I heard Rachel Kiyo Iwaasa rehearsing the world premiere of Klavierklang by Hildegard Westerkamp the other day, and it was amazing. This will be an awesome close to ISCM World New Music Days 2017. Do not miss it!
So Much Yes!
— Jocelyn Morlock
Concert partners for ISCM World New Music Days 2017 include Aventa Ensemble, Bozzini Quartet, Müge Büyükçelen, Elektra Women’s Choir, Emily Carr String Quartet, Hard Rubber Riot Ensemble, Instruments of Change, Land’s End Ensemble, musica intima, National Arts Centre Orchestra, NOW Ensemble, PEP (Piano and Erhu Project), Powell Street Festival Society, Red Chamber, Redshift Music Society, Standing Wave Ensemble, Turning Point Ensemble, UBC School of Music, Vancouver Chamber Choir, Vancouver New Music Society, Vancouver Symphony Orchestra, Victoria Symphony, Western Front Society.
Canadian composers represented include Martin Arnold, Mohamed Assani, Dániel Péter Biró, Tim Brady, Jennifer Butler, Zosha di Castri, Justin Christensen, Omar Daniel, Gabriel Dharmoo, John Estacio, Lori Freedman, Paul Frehner, Vivian Fung, Mei Han, Vincent Ho, Terri Hron, John Korsrud, Philippe Leroux, Nicole Lizée, Giorgio Magnanensi, James B. Maxwell, Mariah Mennie, Jared Miller, Lisa Cay Miller, Jocelyn Morlock, Jordan Nobles, Éric Normand, Farangis Nurulla-Khoja, James O’Callaghan, John Oliver, Randy Raine-Reusch, Benton Roark, Jeffrey Ryan, Alfredo Santa Ana, R. Murray Schafer, Rodney Sharman, Remy Siu, Linda Catlin Smith, Ana Sokolović, Kotoka Suzuki, Chiyoko Szlavnics, Barry Truax, Rita Ueda, Vancouver Electronic Ensemble Collaborative, Hildegard Westerkamp.
ISCM World New Music Days 2017 gratefully acknowledges that this event takes place on the unceded territory of the Coast Salish peoples, including the territories of the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and səl̓ilwətaɁɬ (Tseil-Waututh) Nations.